One of the things I'm noticing is how different it is to draw in groups, rather than on my own which I've always done up until now. I tend to do things quickly but badly, and being with other people who do things slowly but well has reduced my pace, which is good. It's useful to get other people's feedback and see the way they've tackled a similar scene. It's also a very good vibe, everyone happily doing their own thing together. Sometimes with biscuits, or wine.
I went to urban sketchers on Sunday in Canberra where we went to the Kingston Foreshore, which is a fairly ugly collection of apartment buildings, canals off the lake and restaurants. Lots of lines and people, so I went a bit impressionistic. The bridge at least was curved. And I even went to lunch with them afterwards! Such socialising bravery.
On Saturday I went to drawing group where we did still life. I got out the pastels again - they are fun! mucky but fun - and did a fairly literal rendition of bottles and oranges.
There were a few arrangements set up and I had some time at the end, so did a quick pastel of another table which had a flower and a coffee pot ... it's meant to be "free" i.e. a bit blurry.
And at the art classes I finished the sunset which is OK. I don't like the headland but bits of the sea are acceptable. This is a technique where you do an underpainting of pastel then wash it out with a wet brush. The results are kind of similar to a watercolour underpainting but not the same, and you can't do wet into wet or anything like that. Then you go back in with more pastels for detail - you can add lights which is a different way of attacking it - and pastel pencils too.
It's a fun technique so I used it again for this landscape, which I am much more pleased with. It doesn't look a lot like the reference photo (artistic license!) but I have put it in a cheap frame and it will be hung in the kitchen, where bad art belongs.
